综合 第一季******为您特别推荐由等主演的欧美剧《综合 第一季》未删完整版免费高清在线观看,《综合 第一季》于1952年在上映播出,电视剧《综合 第一季》精彩剧情介绍:Omnibus was the most successful cultural magazine series in the history of U.S. commercial television and a pr…Omnibus was the most successful cultural magazine series in the history of U.S. commercial television and a prototype for the development of programming on educational television. Developed by the Television-Radio Workshop of the Ford Foundation, Omnibus generated both corporate sponsorship and a loyal, but limited, network audience for intellectual programming over nine years (1952 to 1961) on all three networks.Omnibus was the vision of Robert Saudek, a former ABC vice-president of public affairs who became director of the Workshop in 1951. Commissioned to devise an innovative series for network television, Saudek created a variety show for the intellect, a compendium of the arts, literature, science, history, and even some pure entertainment. Saudek hired journalist Alistair Cooke to serve as master of ceremonies. Cooke was known for his literate commentary on Letter from America, a BBC radio series heard throughout Great Britain. With initial underwriting from the Ford Foundation, which TV Guide called "risk capital" for the untried, Saudek also secured financing from advertisers to produce a weekly, ninety-minute series, first airing 4:30-6:00 P.M. on Sunday afternoons. Omnibus premiered on 9 November 1952 over CBS. The first installment featured Rex Harrison and Lilli Palmer as Henry VIII and Anne Boleyn; William Saroyan narrating an adaptation of his short story "The Bad Men"; and the first images of X-ray movies, an inside look at the working human digestive system .Saudek and his producers, among them Fred Rickey, William Spier, and Mary V. Ahern, deftly interwove the high and popular arts into a cultural smorgasbord. Their definition of "culture" was flexible enough to encompass Orson Welles's triumphant return form Europe to star in Peter Brook's adaptation of King Lear; a production of William Inge's "Glory in the Flower" with Jessica Tandy, Hume Croyn, and a still very green James Dean; S. J. Perelman's paean to burlesque with Bert Lahr; several appearances by Agnes DeMille, including the performance of her ballet "Three Virgins and the Devil ("Virgins" becoming "Maidens" because of network censors); Jack Benny recreating his notorious role as an avenging angel in "The Horn Blows at Midnight"; and Peter Ustinov in his American television debut as Dr. Samuel Johnson. Omnibus also gave air time to artists new to the mass media: William Faulkner gave a tour of Oxford, Mississippi; James Agee contributed a five-part docudrama on the life of Abraham Lincoln, now considered one of the first miniseries; Frank Lloyd Wright discussed architectural forms with Cooke; and painter Thomas Hart Benton gave a tour of his studio. In addition, individuals who would later become fixtures in prime time received a career boost on Omnibus, including Mike Nichols and Elaine May, who brought their sardonic humor to an edition entitled "Suburban Revue"; Les Ford and Mary Ford, who demonstrated multi-track recording with a madrigal-singing Cooke; and Jacques Cousteau, who screened his first undersea adventure on American television.Beginning with Leopold Stokowski and Benjamin Britten's "Young Person's Guide to the Orchestra," Saudek linked pedagogy with showmanship to produce a series of visual lectures that became a model for educational television. The most stimulating and original of the electronic teachers was Leonard Bernstein, who single-handedly enlarged the possibilities of musical analysis and performance on television. Commencing with his dissection of Beethoven's Fifth Symphony in 1954, Bernstein brought an intellectual passion of excitement and discovery to his subject and later explored musical comedy, jazz, grand opera, and modern music with the same vigor. Gene Kelly in his video lecture compared the art and choreography of ballet dancers to the movements of professional athletes, exemplified by his tap dance with boxer Sugar Ray Robinson.For most of its run, Omnibus, nearly always broadcast live, graced the "ghetto" of weekend programming, Sunday afternoon. As that daypart became more valuable, beginning on CBS with the success of professional football, Omnibus shifted to other networks. The series was seen on CBS from 1952 to 1956; on ABC 1956 to 1957; and NBC 1957 to 1961. During the final season Omnibus appeared as a series of irregular specials, concluding with a look at the future of the western hemisphere. In all, Saudek and his team assembled 166 volumes totaling more than 230 hours of entertaining enlightenment. The series was revived by producer Martin Starger as a series of special on ABC in 1981.The artistic concerns and approaches to production of Omnibus provided a road map for public television. The Ford Foundation, citing Omnibus's struggle for ratings, questioned whether commercial broadcasters were dedicated to "the development of mature, wise and responsible citizens," and began to fund educational television projects. Without the Foundation's support, Saudek in 1955 formed his own production company to create and gain network sponsorship for the series. The Omnibus sensibility has been felt throughout the history of public television. During the National Educational Television years, NET Playhouse (1966-72) and NET Festival (1967-70) were direct descendants. Since the formation of the Public Broadcasting Service, Great Performances (1974-present) partakes of the Omnibus ethos to share a cultural melange with a discriminating audience. And, of course, the ringmaster of Omnibus, Alistair Cooke became a PBS icon for over twenty years as host of Masterpiece Theater.-Ron SimonHOSTAlistair CookePRODUCERSRobert Saudek, Fred Rickey, William Spier, Mary V. AhernPROGRAMMING HISTORYCBSOctober 1953-April 1956 Sunday 5:00-6:00 ABCOctober 1956-March 1957 Sunday 9:00-10:30 NBCApril 1957-April 1961 Sunday Irregular ScheduleFURTHER READINGBeck, Kirstin. Cultivating the Wasteland. New York: American Council for the Arts, 1983.Bernstein, Leonard. The Joy of Music. New York: Fireside, 1963.Henderson, Amy. On the Air Pioneers of American Broadcasting. Washington, D. C.: Smithsonian Institution Press, 1988.Leonard Bernstein: The Television Work. New York: Museum of Broadcasting, 1985.Rose, Brian. Televising the Performing Arts. Westport, Connecticut: Greenwood Press, 1992._______________. Television and the Performing Arts. Westport, Connecticut: Greenwood Press, 1986.在菲律宾9G 签证丢失了怎么回国
在菲律宾9G 签证丢失了怎么回国午夜点心******为您特别推荐由莉莲·伦道夫等主演的动画片《午夜点心》未删完整版免费高清在线观看,《午夜点心》于1941年在美国上映播出,电影《午夜点心》精彩剧情介绍:宁静的夜晚,并向在黑暗的房间内闪着明亮的光。原来小老鼠杰瑞正在偷奶酪,虽然分外警惕,然而他还是被淘气的老猫汤姆…宁静的夜晚,并向在黑暗的房间内闪着明亮的光。原来小老鼠杰瑞正在偷奶酪,虽然分外警惕,然而他还是被淘气的老猫汤姆暗中跟踪。汤姆并不急于抓住他,而是不断在杰瑞的奶酪上放置重物,对他进行戏耍。不过,汤姆也是个监守自盗的家伙,他与杰瑞新一轮的战争由此展开……本片为“猫和老鼠(Tom & Jerry)”系列第二部作品,首部Puss Gets the Boots虽然获得奥斯卡的提名,但是反响平平,导致两位主创William Hanna和Joseph Barbera无法获得米高梅的支持制作下一部猫鼠动画,直到德州达拉斯某些影院强烈呼吁,米高梅才为主创开了绿灯。也正是从这部起,汤姆(Tom)和杰瑞(Jerry)才正式成了两位主角的名字。在菲律宾9G 签证丢失了怎么回国
七十年代 第一季******为您特别推荐由等主演的欧美剧《七十年代 第一季》未删完整版免费高清在线观看,《七十年代 第一季》于2012年在上映播出,电视剧《七十年代 第一季》精彩剧情介绍:Historian Dominic Sandbrook takes us on an eye opening and refreshing journey deep into Britain in the 1970s.Historian Dominic Sandbrook takes us on an eye opening and refreshing journey deep into Britain in the 1970s.《在菲律宾9G 签证丢失了怎么回国》